The thesis titled “A Research on Poetics Thought of Mao Shi Zheng-yi”, is a study about the inspired meaning of Poetics Thought from the ethics of sacredness by Zhou WenWang in Mao Shi Zheng-yi, written by Kong Ying Da in the Tang Dynasty. Combing the poetics background of SHANG SHU, SHI JING and YI JING , also according to Shang Shu Zheng-yi's content that the creation context during the period of Wang Dao, and also according to the illustrious virtue and image thinking in Zhou Yi Zheng-yi to explain how Zhou WenWang wrote Zhou Yi. Based on the creation mind of poems, explaining that poets studied peaceful and ritual of the Sages’ life attitude, temperament and creation mind. Based on the use of poems, explaining the original intention why poets using “Xing" to write poems, because poets approval and declare the ethical value of the ethics of sacredness. Based on the poetry creation methods, explaining that poets inherit thinking method from the creation of images for illustrious virtue, creating poems by using “Xing” to combine moral standard of propriety and righteousness and phenomenon of earth. This indicates that the literature ethos about poets estrange from politics and education in the Wei , Jin and the Northern and Southern dynasties, then Kong Ying Da used a interpretation way of heartfelt resonance to prove the ethics of sacredness that poets’ aspirations. This is one of the creation idea of Chinese Literary theory in the early Tang Dynasty.

本論文是以唐代孔穎達主持編撰之《毛詩正義》為研究對象，結合《詩》《書》《易》記載的詩文背景，從《尚書正義·洪範》疏文所述王道時期之創作語境，和《周易正義》疏文所述文王作《易》之德性精神和取象方式，說明文王聖德對《毛詩正義》詩學思想的啓導意義。循沿詩心論的方向，說明詩人學習聖人中正平和、好尚禮義的生命熊度、性情理想和創作意志。循沿詩用論的方向，說明詩人採用「興」的方式創作詩歌的初始原因，源於詩人對聖德的倫理價值的珍視和傳揚。循沿詩法論的方向說明詩人繼承文王以象明德的聯類思維，採用興喻方式把禮義意義寄寓於萬事萬象的傅遞途徑中。由此說明，在魏晉以後遠離政教的文學氛圍中，《毛詩正義》採用體悟式的詮釋方式，透過詩人的心聲證成聖德的美善，可見初唐儒者重樹經世創作理念之一途。