Be known as “the best of the five-character poems”, Nineteen Old Poems occupies a significant position in the history of Chinese literature. However, the overall relevant research is relatively weak. This thesis makes a further arrangement and a re-classification of Nineteen Old Poems, aiming to have a deep and comprehensive discussion in order to make a little contribution to the research in this field. The text consists of five chapters. The first chapter is the introduction, which introduces the background of this thesis. The second chapter sums up the authorship of Nineteen Old Poems based on plenty of related research materials. The third chapter is a re-classification of Nineteen Old Poems, as the main body of this thesis. In accordance with the different essence of poetry, Nineteen Old Poems is re-classified and analyzed as express-ambition type, express-emotion type and express-principle type. The fourth chapter goes deeply into the literary position of Nineteen Old Poems from the aspects of form and content. The fifth chapter is the conclusion, which concludes the key points of this thesis. The methods of research in this thesis are comprehensive method and analytical method.

“古詩十九首”作為“五言之冠冕”，在中國文學史上佔據著舉足輕重的地 位，但整體研究狀況相對比較薄弱，故本文意在進一步梳理前人時賢的相關論 述，從詩歌本質出發，對“古詩十九首”的體式進行重新分類，力圖作出全面而 深入的探討，為發展和豐富“古詩十九首”的研究作出一點貢獻。 正文分為五個章節：第一章節是緒論，闡述選題背景；第二章節是“古詩十 九首”的作者問題，在查閱大量文獻的基礎上進行了全面的總結；第三章節是 “古詩十九首”的體類，為本文的主體，選擇了不同的詩歌本質作觀照點，將“古 詩十九首”分類為言志體、緣情體、說理體，進而對“古詩十九首”的內涵作出 分析；第四章節是“古詩十九首”的文學地位，從形式和內容兩個大方面進行了 深入的探究；第五章節是結論，歸納全文要點。 本文的主要研究方法為綜合法和分析法。