This study starts with The Biography of Sima Xiangru in Shiji, which indicated the particularly high value that Sima Qian put on Fengshanwen, the final work of Sima Xiangru in his life. In addition, Sima Qian's criticism of Fu revealed the theory about universe and man and Han's merits and virtues, it resulted in the gradual change of the writing pattern of Fu. By investigating Yang Xiong's criticism of Fu and also his writing of Fu, it was found that Yang Xiong's Fu criticism had followed the leftovers of Sima Qian. Moreover, Yang Xiong also accepted Sima Qian's opinion on Fengshanwen. During the process of Yang Xiong's Fu writing, he not only kept moving near to the theory about universe and man gradually, but also took the writing pattern of Fengshanwen for reference as well. In the Eastern Han Dynasty, the Fu writers still followed the writing topic of Han's merits and virtues in Great Fu which was opened up by Sima Qian and Yang Xiong. Ban Gu wrote Fu with the topics of history, while Zhang Heng had rethought the Great Fu written by the predecessors, therefore making a significant impact on the literators and literature of the late Han Dynasty. The Great Fu of Han finally went to the civilian-oriented thought and the objective review of the waxing and waning of history, which was also Confucianism. It indicated that the Great Fu of Han was closely bound up with Confucianism and regime. Key words ;Sima Qian theory about universe and man Yang Xiong The Great Fu of Han Han's merits and virtues Confucianism

本文以《史記·司馬相如列傳》為切入點，由此可見司馬遷實對司馬相如的絶筆之作——〈封襌文〉有特別的重視。加上史公在賦論上對“天人之學”和“漢德”的揭示，使赋體的書寫模式逐渐起了變化。而通過對揚雄赋論和赋作的探討，可知揚雄在赋論上承接了司馬遷的餘緒，而且也接受到史公對〈封襌文》的見解，在寫赋的過程中，渐渐向天人之學靠攏，並借鑑了〈封襌文〉的書寫模式。東漢賦家，仍承接了司馬遷及揚雄所開拓的，大赋關於漢德的書寫题材。班固以史筆為賦；張衡對前人的大赋有過反思，因此對代後期的文人文學有重大影響。漢賦至此，赋家的焦點已逐步由“漢德”轉移到個人情志的關懷上。 漢大赋最終仍歸於民本思想與對歷史興衰的客觀審視，其實也就是儒學。由此可見漢大赋與儒學、政權的息息相關。 關鍵詞：司馬遷、揚雄、天人之學、漢大賦、漢德、儒學