This thesis aims to study the Nine Songs of Chuci. The first part of thesis is to explain Chu culture was not separated, but interlinked with the Central region's culture during the era of Qu Yuan. This can be proved by archeological findings discovered in Chu burials during the Warring States Period and by classical documents we have today. The second part of thesis is to explain that Qu Yuan is not only one of the greatest poets in China，but also the one who is familiar with the canons of Confucian classics which is often ignored in current research. Therefore, he should belong to one of the Pre Qin thinkers. Based on the above arguments, we can find Nine Songs of Chuci has rich and profound thoughts.

本文第一部分利用現存的傳世文獻和出土材料說明在屈原所處 的時代，楚國的文化和中原文化是相通的，從而說明屈原熟悉中原文 化。以屈原為代表的《楚辭》最早見於《漢書·藝文志·詞賦略》。《隋 書·經籍志》和《四庫全書總目》等目錄分類均把《楚辭》收入集部。 可是從漢代劉安、司馬遷、梁朝劉勰、明朝汪瑗到當代饒宗頤教授等 人均肯定屈原的經學思想，把屈原看作與先秦諸子無別的人物。說明 屈原的經學思想定位，此為論文的第二部分。以此為思想平臺，考察 《九歌》各篇，每篇俱有其精神義理，非巫歌所能說明。此為第三部 分。 關鍵字：屈原 楚辭 九歌 中原文化