There are many religion songs in the world. However, the Catholic hymns are the most perfect religion songs among the others. The development of the Catholic hymns in Macao and Hong Kong has its own characteristic in stylistics. It is not only a contrary to the rules of Catholic, but also fits the traditional thought of Chinese. As these hymns are the supplement to the “Bible”. People use them to express their respect to the God. And hope the God loves them. The hymns are sung in all the Catholic festival activities. That is why the hymns appear in the solemn and dignified atmosphere. So the choice of words using in hymns must fit the aim of the Catholic festival activities and its environment atmosphere. This paper will emphasize on the stylistic exploration of the “Xin Song” and “Song En”. The way to present the hymns will be analyzed and particularly in the essay. The first part of the essay will show a whole explanation of the hymns. It bases on the quantities, editions, categories and the presentations of the hymns. The second part will analyze the stylistics of the Chinese hymns with the theories of stylistics, and show the special stylistics of Chinese hymns.

天主教的聖歌是現今世界眾多宗教中最完善的宗教歌曲，随著其在港澳地區的發展，逐渐衍生出一套既不違背西方天主教的規條，而又符合中國人的傳統思想的中文聖歌。這些中文聖歌作爲《聖經》的輔助物，被運用於天主教的節日活動中，表達世人对上主的敬愛，及向上主求憐，於是它也就呈現一種莊嚴、肅穆的氣氛，因此語言的選用也就必须符合這節日活動的目的及其環境氣氛。 本篇論文對目前港澳教區僅有的兩本中文聖歌集《心頌》、《頌恩》作語言風格上的探求，分析它們是如何運用語言，而使中文聖歌在唱詠時呈現一種獨特的格調和氛圍。論文主要分二大部分：一，對中文聖歌的數量、版本、類別及其詠唱力式作總概述；二，運用語言風格學的理論，論述中文聖歌的風格要素和風格手段，探究中文聖歌獨特的語言風格。