Lu Xun's 《Crying Out》and 《Hesitation》 are the cornerstone of modern Chinese literature. These two novels also reflect different facets of the Chinese society and different “person” at that time.《Crying Out》and 《Hesitation》is the crystal of Lu Xun's humanism, and refects his sufficient attention to the person, being of person, and person's value. Hence expounding the value and connotation of these two story anthologies becomes a necessity to get into Lu Xun's novel world from the angle of humanism. This paper aims to make a deep exploration into LuXun’s two story anthologies from the three aspects in terms of the discovery of the person, self understanding and individual essence. The five inter-relations of human and nature, human and self human and individual beings (human and human), human and community(human and society), human and cultural traditiong and historical development ate the staring point of this paper which aims to analyze and interpret these novels throuhly from the perspective of humanism. First of all, in《Crying Out》and 《Hesitation》, Lu Xun looks at community and community development in the respect of existence, status and value. It conducts the difference between traditional culture and LuXun in the understanding of the person. Secondly, Crying Out and Hesitation displays the cleft of self understanding, Finally, 《Crying Out》and 《Hesitation》 stresses the essence of independent consideration and bravery of life activaton. It displays the individual and essence. For Lu Xun, the literature career and the life road are so unanimous.

魯迅的《呐喊》和《彷徨》是我國現代文學的奠基之作，亦是關照當時之中國社會以及社會中形形色色“人”的一面鏡子。《呐喊》、《彷徨》是“魯迅人學”的結晶，體現了他對人、人性、人的存在、人的價值和意義充分重視的“人本”思想。因此，從人本的角度挖掘、梳理《呐喊》、《彷徨》的價值和内涵就成爲進入魯迅小說世界的關鍵。本文從人的發現、自我認識的分裂、個性精神的張揚三個方面來解讀《呐喊》、《彷徨》，並以人與自然；人與自我；人與作爲個體而存在的他人（人與人）；人與社會群體(人與社會)；人與文化傳統、歷史進程的五種存在關係作分析的切入點。意在從人本的意義上對這兩本小說集做以全面的分析和闡釋。首先，鲁迅在《呐喊》、《彷徨》中是從個體人的生命及其存在價值和意義的角度看待社會和社會的發展，在“人”的基點上展現了他與傳統文化在人的認識上的不同之處——這也正是中國文學由古代向現代轉换的關鍵，亦是世界文學批評“現代性”的標誌。其次，《呐喊》《彷徨》爲我們展現的是創作主體魯迅自我生命的危機感以及自我認識的分裂，包括对自我雜性的感悟和人格衝突不同側面的把握，這種内在的困惑狀態激發了作家拷問自我乃至他者的強烈欲望。最後《呐喊》、《彷徨》凸現了鲁迅作爲生命個體的獨立思考精神和全面啓動生命的勇氣，他的“反抗望”和“走”的人生選擇充分體現了具有強大生命意志力的人在個體精神上的張揚，文學之路和生存之路在鲁迅這裏竟然如此一致。